Aspens, Dawn, Dolores River Canyon, Autumn, Colorado, 1937, printed c.Frozen Lake and Cliffs, Sierra Nevada, Sequoia National Park, California, 1932, printed 1980.Merced River, Cliffs, Autumn, Yosemite National Park, California, 1939, printed 1980.White Gravestone, Laurel Hill Cemetery, San Francisco, 1933.Mexican Woman, Snelling, California, 1935.Fence, Near Tomales Bay, California, 1936.Architecture, Early California Cemetery, 1932/36, printed 1936.Information about image downloads and licensing is available here. To help improve this record, please email. Object information is a work in progress and may be updated as new research findings emerge. The indefatigable artist has been the subject of exhibitions at the world’s most prestigious institutions, from the Museum of Modern Art and Centre Pompidou to the Stedelijk Museum and Tate Modern.

81 / Published by / THE SIERRA CLUB / SAN FRANCISCO / 1959 / Reproduction Rights Reserved Dimensions Image/paper: 28.3 × 22 cm (11 3/16 × 8 11/16 in.) Mount: 45.8 × 35.5 cm (18 1/16 × 14 in.) Credit Line Photography Gallery Fund Reference Number 1960.367 Copyright © The Ansel Adams Publishing Rights Trust. 4 from 'Portfolio Three: Yosemite Valley' (1959) Edition 81 of 208 Inscriptions Signed recto, on mount, lower right, below image, in black ink: Ansel Adams stamped and inscribed verso, on mount, center, in black and red ink: PORTFOLIO THREE / (Yosemite Valley) / ANSEL ADAMS / PRINT NO. Made 1933 Medium Gelatin silver print, No. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. Drawn from natural history essays, poems, journals, photographers’ and critics’ observations, this anthology approach will complement and expand upon the reverence and passion for the beauty of trees so apparent in Adams’ photographs.About this artwork Status Currently Off View Department Photography and Media Artist Ansel Adams Title Trees and Snow Place United States (Artist's nationality) Dateĭates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Accompanying the images will be text and poetry excerpts from a variety of writers and observers, both contemporary and historic. This book will present some fifty of Adams’ finest photographs of trees – a wide range of imagery from towering redwood groves to flowering orchards majestic pine forest to leafy deciduous woods wood and bark details to gnarled tree stumps close-ups of snow-laden branches to leaf patterns against the sky and, of course, many a portrait of the mighty trees of the Sierra and the American West. He is also a consummate photographer of trees and forest woodland, creating stirring portraits of giant oaks in Yosemite Valley and capturing the shimmering beauty of an aspen grove in New Mexico. The great American photographer Ansel Adams is justly famous for his heroic mountain landscapes.

Ansel adams tree